This setting of Robert Herrick’s poem was original composed as the final section of an extended dance collaboration piece titled Folds based on vocal biology. The choir piece served as the foundation for the rest of Folds and I like it so much I decided to split it off into its own work. Upon Julia’s…
Category: Large Ensemble
Used Illusions for glissando flute and concert band (2017)
Used Illusions is a short concerto for glissando flute and concert band. The whole work follows a traditional three movements structure of fast-slow-fast and each movement is built from motives as gestures found in Guns n’ Roses albums. The first movement, “Loco,” draws inspiration from the driving and propulsive “Locomotive” off of Use Your Illusion…
Songs My Radio Taught Me (Book 2) (2015)
I have a problem. As a composer, I’m supposed to write Extremely Serious Music (ESPECIALLY for orchestra). My problem is that, as a man of my age, I listened to a lot of music from the ‘80s. And I still do. I have several pieces in my catalog which draw on ‘80s hits and abstract…
Ashamed/Unabashed for two pianos and chamber orchestra (2004)
Ashamed/Unabashed is a single movement in four main sections. The first section is delicate and intricate, very slow and deliberate. The first section gives way to barbaric and aggressive pounding in the two pianos. Another noisy climax signals the return and expansion of the delicate music. After a final iteration of the mechanical and relentless…
Illuminations for wind ensemble (2005)
Illuminations is inspired by central themes found in Walter M. Miller’s science-fiction classic A Canticle for Leibowitz. A Canticle for Leibowitz is set at the Abbey of Saint Leibowitz many millennia after a nuclear holocaust. The book is in three sections and each section is centuries removed from the previous setting. The monks of the…