I composed this work in February 2011 as part of the RPM Challenge which requires musicians to compose and record either 10 tracks or 35 minutes of music during the shortest month of the year. My goal was to write a single 35 minute long composition for piano and electronics but something that would be sectional and modular; something which could be broken out into several smaller pieces. While the work ended up 10 minutes short of my goal and, other than the first five minutes, was not terribly modular, I was extremely happy with what I had created.
The title as if to each other is extracted from the poem “Person, Place, Gesture, Thing” found in Kathleen Peirce’s The Oval Hour. “Person, Place, Gesture, Thing” is in three parts: the first two poems contain two stanzas of four lines each and a third poem of four stanzas with four lines each. The third poem is a reordering of the lines of the two proceeding poems making the longer poem a
recontextualized synthesis of the first two. I’ve always admired the simple imagery of the poem and how my attention on the person, place, gesture, or thing present in each line refocuses based on the order of the individual lines.
In all honesty, I’m not sure why I include that detail about the title. It seems important even though I didn’t consciously pattern my piece after Peirce’s poem.
Honestly, I sat down at the piano, struck the first arpeggio, and went from there. The single note descending line was taken from a previously unused sketch and the chorale was added because the piece needed it. All of the electronics were generated through manipulations of the piano material, creating a sort of audio kaleidoscope which bends and warps what was previously heard.
I composed the piece for absolutely no practical reason. I figured it would never be publicly performed and the scratch recording I made in my office would be the only proof of the work’s existence. I am equally honored and shocked that R. Andrew Lee has taken up the piece and recorded it for the Irritable Hedgehog label. It is always encouraging when your music connects with others. I am tempted to write another work of this scope again and see what